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PostPosted: Mon Nov 09, 2015 2:38 am 
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Planetaria (Excerpt)
by chinkeeyong
Status: Public :diamond:

This is an excerpt from a famous Solphosian opera, Planetaria. It was written by the librettist and composer Tristitas approximately a century prior to the present time, and revolves around the semi-mythical downfall of the Corindian Empire. Today it is considered one of the great classics of the Sophist canon.

Scenes I and II of Act I of Planetaria are presented here.

PLANETARIA
EDITION III AVRITVM
An Excerpt
Tristitas s.


DRAMATIS PERSONAE

The Hierophant, who bears the Winged Staff
Death, a hunchbacked Titan
Sulfur, a Halitus of Phlogiston
Mercury, an Ooze of Quicksilver
Natron, a Golem of Calx

Air, who bears a Sword
Water, who bears a Vase
Fire, who bears a Stylus
Earth, who bears a Clock

A Chorus Metallis (comprising the Seven)

ACT I

ANCIENT KARDIAPOLIS. An illusory tableau of the heart of the Empire, at its height of glory. The shackled aurorae glimmer star-like in magnificent closed circles. CAIES, the glyph of exaltation, lies ascendant upon the stage.

SCENE I

AIR, WATER, FIRE, EARTH, and the CHORUS METALLIS enter the balcony. The Elements stand united while the Metals frame them. Slowly, the orchestra begins to play, and the frozen tableau begins to move.

Universum I

METALS:
(Hearken...)
(Hearken to us...)
(Hearken...)

ALL CHORUS:
Hearken to our tale...

The HIEROPHANT enters stage left, and the crowd parts for her.

ELEMENTS:
O Reason! Your journey has taken you far!
Across the aeons you stride unseen,
Queen of our domain.

METALS:
(Queen! O queen!)
(Queen of our domain...)

ELEMENTS:
Your thousand wisdoms see all things to come,
And all that has passed, and all things between,
Queen of our domain.

METALS:
(Queen! O queen!)
(Queen of our domain...)

The Hierophant has reached stage center, where she silently regards the audience.

ELEMENTS:
Your blessings on the song of the Primes,
on works, on every deserving Opus,
To stand the test of time.

METALS:
(Of time, of time...)

ELEMENTS:
Lend your sight that pierces lies,
with your staff Azoth, pray shatter
All the mists of time.

METALS:
(Of time, of time...)

ELEMENTS:
Pray tell, pray tell,
The history closed to our eyes.
Pray tell, pray tell,
The time that lies outside of time.

ALL CHORUS:
Show us...

ELEMENTS:
The celestial words, the unseen land.

ALL CHORUS:
Show us...

ELEMENTS:
Within the shadows, the guiding hand.

ALL CHORUS:
Show us...
Show the Opera...
Show the Opera...
O Reason!

The Hierophant raises her staff, and there is silence.

HIEROPHANT:
You call to Reason?
Reason then will speak.
You come with questions?
Know then what you seek.
I recall...

METALS:
(She recalls, she recalls!)

The Hierophant spins the Winged Staff. Earth reverses the clock he bears, and the scene changes to the time of the Dark Age.

HIEROPHANT:
Recall the time.
Of Reason's founding,
And the cosmic hand.
When Death came calling,
At Empire's end.
When I had no voice,
To give your suffering.
When our world belonged
To the interloper king...
See how it comes!

The Hierophant's staff illuminates the ceiling of the opera house, where DEATH is lurking above the audience.

ALL CHORUS:
(The horror! The horror!)

HIEROPHANT
See how Death comes!

ALL CHORUS:
(Destroyer! Destroyer!)

DEATH:
So I have come.

Death raises its hand and all the periocha of Kardiapolis die.

SCENE II

Death rises into the ceiling and descends stage center, up-stage from the Hierophant. The Elements descend from the balcony. Fire and Water enter stage left; Earth and Air enter stage right.

Recitative

HIEROPHANT:
What manner of creature brings death to Kardiapolis?

EARTH:
It is alien of musculature.

FIRE:
It is an affront to creation.

WATER:
It defies understanding.

AIR:
It is not of this world.

HIEROPHANT:
You are not of this world.

DEATH:
Ha!
I have walked many worlds.
I have seen a thousand thousand suns burn into nothing.
The planetes, the wanderers are above such petty things.

HIEROPHANT:
You speak of the dimensions.

DEATH:
Perhaps I do.
Who is to know?

HIEROPHANT:
I must know.

AIR:
Beware, Hierophant.
Reason not with the interloper, for there is not a wisp of reason in its being.

EARTH:
You will be unraveled.

Death laughs.

DEATH:
I will destroy you and your Empire.
You will be ground into dust.

HIEROPHANT:
I will not go gently.

DEATH:
Why resist?
I have laid waste to a myriad worlds.
Your Empire is in tatters.
To end it would be mercy.

HIEROPHANT:
Never.
Let my world go free.

DEATH:
I am Calamity.
You cannot stop me.

HIEROPHANT:
You presume that I stand alone.

SULFUR, MERCURY, and NATRON, avatars of the THREE PRIMES, appear surrounding Death.

Trinitas

CHORUS:
(Gloria... Gloria...)
(Quinta essentia...)

HIEROPHANT:
I call you!

PRIMES:
We heed your call.

CHORUS:
(Gloria... Gloria...)

HIEROPHANT:
I beseech you!

PRIMES:
To safeguard all.

CHORUS:
(Gloria... Gloria...)

HIEROPHANT:
My champions of the Art
In holy function,
Who scribe the world apart
And in conjunction,
Rally to me.

CHORUS:
(Gloria... Gloria...)

PRIMES:
We rally to ye.

ELEMENTS:
They rally to ye.

SULFUR:
You who would destroy this world
Know not the powers you'd unleash,
Nor worldly bindings untether.
Hubris will be your undoing,
Destroyer, your own strength
Rebounded endlessly upon you.

CHORUS:
(Mighty Sulfur, show your power.)

MERCURY:
Folly to besiege this world.
Our sword is deadly Knowledge,
Armed and tempered by Time.
Words unspoken will bind you,
Hold you at mercy of Reason,
And to nothing dissolve you.

CHORUS:
(Swift Mercury, seize the hour.)

NATRON:
Turn back now, Death, back from this world.
We are the firmament that binds,
For the paint, canvas in kind.
You would fight every corpuscle,
Wage war against our ageless spires
Though we'd ever outlast you.

CHORUS:
(Holy Natron, deathless tower.)

PRIMES:
Turn back now, Death, back from this world.
Or face death you shall.

CHORUS:
(Gloria... Gloria...)

HIEROPHANT:
Face death you shall.

CHORUS:
(Quinta essentia...)
(Trinitas...)

Recitative

HIEROPHANT:
You see now the magnitude of your task.

DEATH:
Indeed.
I will relish this contest.

HIEROPHANT:
You still proceed?

DEATH:
I still proceed.

ELEMENTS:
It still proceeds, Hierophant.

HIEROPHANT:
Then come and try.
Reason dictates you will fail.
If you best my challengers, against all odds, then I without regrets face the sword.

ELEMENTS:
Face the sword.

HIEROPHANT:
Face the sword, and consign this world to extinction.
For if the bedrock of Reason is no more, there is no more left to Reason.

Death laughs.

DEATH:
An agreeable game.
Then gird yourself, Hierophant.
Ensure your readiness to face my challenge.

ELEMENTS:
Its challenge.

DEATH:
My challenge comes.

DEATH AND CHORUS:
Soon...

Death rises into the rafters and exits. The Hierophant watches him depart.

HIEROPHANT:
Soon.

All exit. Curtains.


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PostPosted: Sat Jan 30, 2016 4:00 pm 
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I'm starting to compose this and wanted an easy-to-locate place to store range information while I do.

In order from highest to lowest, with the lead singers in bold and the Chorus Metallis in italics:
Gold
Air
Silver
Mercury
Water
Copper
Hierophant
Iron
Sulfur
Fire
Tin
Natron
Earth
Quicksilver
Death
Lead


razorborne wrote:
so thinking about this, I feel like, given the automaton nature of a the orchestration and some of the singers, the ranges would be very structured and rigidly defined. I'm thinking for each group (Metals, Elements, Primes) they'd have a total collaborative range from C2 to C6, with overlapping ranges in between. something like this:

Metals


the Metals have a 1-octave range each, overlapping by a tritone. they're very limited, but they only sing in chorus and they're automatons. these ranges will allow each of them to sing whatever note they want, but they only have access to one iteration of that note each. (except C or F#, depending.) this shouldn't cause too many weird leaps since I can play with voice-leading to keep them in roughly the same area, and sometimes those sudden jumps are going to help give it a mechanical feel that'd be nice anyway.

Elements


the Elements have an octave and a half each, overlapping by a minor 6th. this gives them more melodic range which is important because they have their own lines, and it also lets them do broader voicings. they can do tight ones too: in fact, that can do a closed voicing of an F# chord, because Earth's top note is an octave below Air's bottom. I might use that, it'd be a cool effect, especially if they approach them in contrary walking lines.

Primes


the primes have two-octave ranges, overlapping by an octave. this gives them a lot of melodic range, and lets them do voicings with basically any amount of spread they want. in their introductory pieces I definitely want them to use this full range, or at least the tops and bottoms, to show that they're rigidly defined.

note, of course, that there's more to class than range, and for instance while Lead and Natron both have the same bottom note, Lead will probably have a deeper timbre because it is more restrained. that's the nice thing about singing robots is you can make them do whatever you want.

that leaves Death and the Hierophant (which sounds like a great name for a short story. by the way.) let's look at the list and see how everything falls, then we'll define those based on their neighbors: (I included the middle note in each range to show that they do in fact line up as intended, or to show where they don't so I can make sure it's ok)

everyone
it looks like with this regime copper would be slightly higher on average than water and Quicksilver would be somewhat noticeably above Earth, are those problems?

if not, Death looks like an Octavist, probably A1-A3, which'd put it right smack dab tied with Earth for middle. it'd have a broader rang than it's associates, going lower than lead and higher than Earth and Quicksilver, but as a lead it needs the range. the Hierophant I want to give A3-A5, which is extreme countertenor or castrato, but hey it's opera. that'd put it a little higher on average than water and copper, and its top notes would be above silver too, but that's natural when you have broader ranges like that. I could also give them the same ranges as Natron and Mercury, spanning the same C2-C6 deal as everyone else. or! I could give them monster ranges of three octaves each, Death from C2-C5, the Hierophant from C3-C6. I don't know, I like the As, they feel right, but if you want absolute crystalline rigidity that's an option as well. they'd have to be the only leads in the whole opera though.

anyway, I don't know how much you know about music so I don't know how much of that made sense to you, but did the philosophy of it at least seem reasonable?

:duel:


:duel:

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