I'm a little interested in the artistic/personal beliefs that people have related to religion but if you're just talking about the metaphysical "what exists and what doesn't exist" i already have a clear enough image of that in my mind to not want to read about it.
it is easy to say that there probably isn't an intervening super powerful consciousness floating around modern society tossing miracles about
it is more complicated to evaluate religions impact on society and its meaning to people as well as to judge the specific beliefs that followers may hold
Next up is All the Windwracked Stars, by Elizabeth Bear.
WOW this was a weird one. It was good, but it kind of defies description. Norse Mythology Urban Dystopian Post-Apocalyptic Cyberpunk Sci-Fi Fantasy Drama? If that sounds like a mad libs to you, it kinda is. The setting is totally coherent and well put together, but it's like no one other thing. It takes all these disparate elements and weaves them together. This is a book that can pull off mentioning Einherjar, Valkyrie (styled Waelcyrge), shoggoths, orbital microwave projectors and "combat sorcerers and laser-guided death curses" on the same page and still have everything make sense. Like I said, though, it was good
Spoiler
Also amazing is pulling off a satisfying read after so much pain, suffering, guilt, and betrayal. I'm one of those people who hates supposed "Feel Good" stuff like It's a Wonderful Life because the redemption simply doesn't make up for the unpleasantness that we had to suffer alongside the main character(s). Sure, when the happy turnabout comes around it's decent, and there are times (A Christmas Carol for one) when it's done well enough that I don't feel miserable and hollow despite the attempt to bring on the celebration, but by in large it's a pattern I dislike seeing, that I never WANT to see. And the pain that's threaded through All the Windwracked Stars is, when I think about it now, quite a lot. And after all of it? It doesn't really end -- the ending is bittersweet. What you get though, is a lack of abject "oh poor pitiful this that and the other thing" Characters can be miserable, characters can mourn, worlds can suffer and die -- But most of the characters most of the time grit their teeth, accept their burdens, struggle, and fight. There's the barest candle-flicker of hope, and the air is filled not with wailing and protestation but rather with grim determination, which I find infinitely more tolerable. And sometimes, there are little victories along the way that buoy up what death and destruction try to batter down. Like any story in an apocalyptic setting it's got this aspect of relentless, inevitable loss, but like so many good ones it has the decency to be tragic, perhaps, or mournful, but not to stoop to "pitiful". The story is engaging, the characters are as likable and charismatic as they are flawed and tortured, and the world is something else entirely. All in all, it's good.
Next up: Either Throne of the Crescent Moon or A Forest of Stars, as I go through the books on my wishlist that can be got used for a penny plus shipping.
_________________
"Enjoy your screams, Sarpadia - they will soon be muffled beneath snow and ice."
I'm a (self) published author now! You can find my books on Amazon in Paperback or ebook! The Accursed, a standalone young adult fantasy adventure. Witch Hunters, book one of a young adult Scifi-fantasy trilogy.
Next up is All the Windwracked Stars, by Elizabeth Bear.
WOW this was a weird one. It was good, but it kind of defies description. Norse Mythology Urban Dystopian Post-Apocalyptic Cyberpunk Sci-Fi Fantasy Drama? If that sounds like a mad libs to you, it kinda is. The setting is totally coherent and well put together, but it's like no one other thing. It takes all these disparate elements and weaves them together. This is a book that can pull off mentioning Einherjar, Valkyrie (styled Waelcyrge), shoggoths, orbital microwave projectors and "combat sorcerers and laser-guided death curses" on the same page and still have everything make sense. Like I said, though, it was good
Next up: Either Throne of the Crescent Moon or A Forest of Stars, as I go through the books on my wishlist that can be got used for a penny plus shipping.
It picked my interest, but it doesn't have good reviews...
@True: I get the feeling that it wouldn't be for everyone. It's harsh (In the ways you would expect from post-apocalyptic, Dystopian, and Norse) and highly stylistic -- one character's point of view is rendered in present tense, for instance. It works in context, but it's a little bit jarring at first.
By being the unique mash up of everything, it's also nothing defined -- If you're looking for straight scifi, you don't get it. If you're looking for straight norse myth fantasty, you don't get it. If you're looking for straight up dystopia punk, you don't get it. I like what you DO get, but it's not any of a long list of things people could go in expecting.
Some people are going to be put off because one of the sympathetic main characters is very liberal with matters of the heart (or at least of the loins, in the poly/bi sort of way). The people who cheer for that are going to be put off because a different main, sympathetic character is significantly more prudish/conventional in some (but not all) ways, so both the hardcore Social Justice and Anti-SJW factions that want to see their faction being declared implicitly right and heroic as opposed to anyone with views that don't line up perfectly with theirs is going to walk away thinking at least one of those two missed having an epiphany. I for one don't give a crap and felt the handling of any relationship elements was tactful and mature.
In the end, I feel like this is the kind of book that might not be For You. It does it's own thing, and you'll like it or you won't. The advantage is that it's unique, but the disadvantage of being unique is that it's NOT "more like" the same thing you know you enjoyed and want to see more of. And there's nothing wrong with wanting more X and being disappointed when you don't get it after being lead to believe you would*. If it sounds potentially interesting and you can check it out from the library or pick it up stupid cheap, I'd recommend giving it a try, just to see something different.
*
Spoiler
This wouldn't be the only piece to suffer from being mis-advertised if that's what's turning some folks off. I often consider the Shamaylan flick Lady in the Water to be in a similar position. What it actually is, is an urban fantasy fairy tale that barely even merits a PG-13. But it's shot a bit like a horror film (lots of deep shadows) and it was advertised entirely as a horror film. The trailer looked like it belonged to a suburban Alien film. Even the poster/DVD cover goes out of its way to make the sweet damsel-in-distress figure look like this seriously creepy being. I'm not saying the film read as-is doesn't have its problems. The flipping names for the supernatural creatures are beyond terrible. Scrunt?! Freeking Narf?! Even a third-grader could call the latter of those a Muse (or maybe a nymph), and while I don't have as easy a time finding a term for a wolf-monster, even "wolf-monster" is more dignified than "Scrunt". And then there are the metatext issues with the critic character (Kinda well used in context, awkward knowing the director's ongoing snit fit with critics in general) not to mention Shamyalan's choice of casting himself as the visionary doomed to be martyred before his works change the world -- awkward, the text works but the context is really bad.
Anyway, where was I? Misadvertising. I personally feel that Lady in the Water suffered it badlt, souring what charitable opinions might have otherwise existed. On the opposite scale I recall a book that pissed me off to no end because everything about its cover, blurb, and even opening couple of chapters promised high-scale fantasy adventure when what the majority of the text delivered was Jane Eyere in Fantasyland. To this day, I hate that thing when really, it probably wasn't THAT bad. How you get introduced to something and what you expect can absolutely effect your perception of a work, and I feel like All the Windwracked Stars is something VERY LIKELY to defy expectations, which is at least as bad as it is good.
_________________
"Enjoy your screams, Sarpadia - they will soon be muffled beneath snow and ice."
I'm a (self) published author now! You can find my books on Amazon in Paperback or ebook! The Accursed, a standalone young adult fantasy adventure. Witch Hunters, book one of a young adult Scifi-fantasy trilogy.
Joined: Sep 28, 2013 Posts: 390 Location: Daly City, CA
Identity: Lord of Darkness
I'm going to warn you, A Forest of Stars (assuming we're talking the Kevin J. Anderson book), sucks. Or rather, the series that it's part of sucks, imo. The setting is interesting, the covers are cool, but the story is completely predictable. By the time I got to the last book, I was pretty much just checking off a list of things I had seen coming a mile away. I finished it only because I didn't want to leave the story hanging once I'd started.
Atm, I'm crawling through Cook's The White Rose, book 3 of The Black Company.
@True: I get the feeling that it wouldn't be for everyone. It's harsh (In the ways you would expect from post-apocalyptic, Dystopian, and Norse) and highly stylistic -- one character's point of view is rendered in present tense, for instance. It works in context, but it's a little bit jarring at first.
By being the unique mash up of everything, it's also nothing defined -- If you're looking for straight scifi, you don't get it. If you're looking for straight norse myth fantasty, you don't get it. If you're looking for straight up dystopia punk, you don't get it. I like what you DO get, but it's not any of a long list of things people could go in expecting.
Some people are going to be put off because one of the sympathetic main characters is very liberal with matters of the heart (or at least of the loins, in the poly/bi sort of way). The people who cheer for that are going to be put off because a different main, sympathetic character is significantly more prudish/conventional in some (but not all) ways, so both the hardcore Social Justice and Anti-SJW factions that want to see their faction being declared implicitly right and heroic as opposed to anyone with views that don't line up perfectly with theirs is going to walk away thinking at least one of those two missed having an epiphany. I for one don't give a crap and felt the handling of any relationship elements was tactful and mature.
In the end, I feel like this is the kind of book that might not be For You. It does it's own thing, and you'll like it or you won't. The advantage is that it's unique, but the disadvantage of being unique is that it's NOT "more like" the same thing you know you enjoyed and want to see more of. And there's nothing wrong with wanting more X and being disappointed when you don't get it after being lead to believe you would*. If it sounds potentially interesting and you can check it out from the library or pick it up stupid cheap, I'd recommend giving it a try, just to see something different.
Ok. You convinced me to try at least the first one of the series and judge for myself. I do like books that defy genre, but the major problem with them is exactly what makes them good, and normally the plot suffers because of that.
Take for example Perdido Street Station by China Mieville or Desolation Road by Ian McDonald, both are highly stylistic and defy normal conventions. You don't have any idea how these book will end. The first sustains this fact until the very end, the setting and the plot defy convention, but the real story is not that good. The second shifts to a more normal convention close to end, and after that the book loses its magical and unconventional appeal. Many storylines are not explored as they should too.
I'm going to warn you, A Forest of Stars (assuming we're talking the Kevin J. Anderson book), sucks. Or rather, the series that it's part of sucks, imo. The setting is interesting, the covers are cool, but the story is completely predictable. By the time I got to the last book, I was pretty much just checking off a list of things I had seen coming a mile away. I finished it only because I didn't want to leave the story hanging once I'd started.
Atm, I'm crawling through Cook's The White Rose, book 3 of The Black Company.
I enjoyed Hidden Empire, book 1 of that series. Was it hokey and predictable? Yeah, it totally was, but IMO there's nothing wrong with doing something that's been done before if you do it well. Like you say, the setting is interesting, and I enjoyed the characters in Hidden Empire, particularly the Roamers. It wasn't and I don't expect the rest of the series to be in the same league as Vernor Vinge's scifi (of which I've read A Fire Upon the Deep and A Deepness in the Sky and loved both) but I was promised a space opera and I got a space opera, so I'm mostly satisfied. I'll consider myself warned, though, if it starts to become grating. 7 books is a lot of book...
I liked Black Company trilogy, but they ARE a slog sometimes. I might not remember them quite so fondly if they hadn't been all that was preserving my sanity waiting in the pool for jury duty when I first read them. I think Shadows Linger was my favorite, but White Rose was good too.
_________________
"Enjoy your screams, Sarpadia - they will soon be muffled beneath snow and ice."
I'm a (self) published author now! You can find my books on Amazon in Paperback or ebook! The Accursed, a standalone young adult fantasy adventure. Witch Hunters, book one of a young adult Scifi-fantasy trilogy.
Joined: Sep 28, 2013 Posts: 390 Location: Daly City, CA
Identity: Lord of Darkness
Ah, ok. I thought you were going to start with A Forest of Stars. I was fortunate enough to have been given book 2 & the rest were either borrowed or bought for 50 cents from the library, so I count it more as lost time than anything else. I hope you do enjoy the rest of the series.
I actually really like the BC books. I tried reading the first book as an epub, but someone screwed up the conversion, so there were header & footers scattered throughout the text. Made it completely unreadable, so I picked up the whole thing in hardcopy compilations. Most of my reading recently has been on the bus though, so with classess out, I've been lagging behind.
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