So, it has been a few days and I feel like now is a good time to submit this. Of course, one should have already read Ruwin and Orcish's opus since this contains some oblique spoilers for their work. Providing you've already enjoyed what they've written, then go right ahead and, hopefully enjoy this extended, and somewhat detached, epilogue.
Check and Checkmate
The waves pounded against the cliff, spray vaulting towards the pale clouded heavens and running down the rock face like tears. The island was a forgotten place, isolated far from other lands, and though it withstood the never-ending crash of the surf and passage of time, it had faded into lost ages and memory, leaving the lonely island with only its ephemeral occupants.
The monastery had been established shortly after the island’s discovery, a retreat away from the disorder of the outer world. A small community had taken root there, a pious and simple community whose isolation had led to enlightenment and self-reliance. It had swelled in the ages since then, coming to claim more and more of the island until it more resembled a town than a simple abbey. Some chose to leave the island, but most stayed, and whatever those errant travelers found on the outside must have satisfied them in a way island life could not.
The complex itself sat tall and sprawling atop the uneven cliffs and coves, well away from the surging tides, hundreds of lengths below. When the tide went out, it was nothing more than bare seabed for as far as the eye could see, but the monastery had chosen its lofty location well. The community’s one concession to decadence was the gorgeous edifice that sat upon the furthest cliff, tethered only by a bridge whose foundation had been worn through by the sea, creating a great arch from one cliff to another. The grand cathedral was an architectural marvel, heavy stone and glass crafted into a place of serenity and solitude.
Two great wings of the building reached towards the bridge, shielding the doorway from the weather and casting a twilight over the entrance. Needled spires stretched upwards and sweeping buttresses formed arches along the building. It was an auspicious place, dark in the streaming sunlight that broke the clouds, meant for great things. It took only one look to understand what it must mean to the islanders.
Inside, amid the grand arches and pale light stretching across tiled floors, two columns of pews ran the length of the room. Normally they would fill with the island’s inhabitants every morning for their daily devotion, but for the past three mornings they had been nearly abandoned, terror driving the monks and nuns away from their precious rituals.
It was the sole occupant of the cathedral that had so badly disrupted their simple lives. Visitors were unheard of, but would have been welcome. She was no visitor and whatever purpose she had in being here, the citizens sensed they had no business interfering. For three days, she’d sat in one of the pews, unmoving and deeply disturbing to be near. She had not eaten, nor slept. It seemed as though she scarcely breathed and the aura of inhumanity surrounding her had robbed even these holy people of their devotion and kindness.
They prayed she would just leave.
She was a deceptively slight thing for how greatly her presence filled the building. A tiny woman wrapped tightly in blue lace, a dress cut in a way the islanders had never seen and pure white hair spilled down her back. She was beautiful and exotic, olive skin and soft round features which were completely foreign to the people who lived here. She stared straight ahead, almond eyes unseeing as if she were waiting for something that no one else could possibly fathom.
In one great cacophony, the doors burst open, and in the weak streaming light, the silhouette of a tall youth was briefly illuminated. He posed there for a moment, obviously for effect, but it was completely lost on the waiting figure inside. He casually swaggered in, and even a cursory glance would have confirmed that he was no inhabitant of the island either.
Where the lady was petite, the newcomer was gangly and somewhat disheveled, in a very careful way that made him seem rakish and charming. He strolled in and fell bonelessly into the pew opposite the lady’s own. She did not deign to look his way, or react in any way at all to his arrival, but he unabashedly studied her. Meeting that gaze would have been as disconcerting as sitting in her presence.
His eyes were a brilliant shade the hue of fire and entirely inhuman. After a few long moments of silence, he snorted and threw himself back in his seat, propping his feet on the pew in front of him. A brief search of his pocket produced a length of wire and he began weaving his fingers through it, crafting shapes suspended between his hands. Sometimes shapes that were strictly impossible with only five fingers upon each hand.
Despite the measured silence, the tension between the two spoke volumes, and the air was thick with an emotion the cathedral had only rarely known. Absolute hatred, a palpable aura of malice that pushed upon the walls and almost seemed to rattle the glass in their fixtures. Elsewhere on the island, small animals fled from their shelters and even the human inhabitants felt a sense of disquiet they could not name, worried eyes turning to the island’s edge.
The twin figures sat in silence for some time, meticulously refusing to acknowledge the other. Anywhere else in the many realms of Dominia, they would have set upon one another instantly and torn apart anything and anyone that stood in the way of murdering the other. There were not words for the depths of hatred they possessed for one another, but in this one place, they were, if not friends, at least familiar old enemies. For beings as ancient as they were, there could be surprisingly little difference in the meaning between the two.
Finally, the man sighed dramatically and shook his head, messy hair tousling with every shake. He glanced sideways at the lady opposite him.
“How long have you been working on Jakkard anyways?” He asked, a slight frown curling his lip, voice surprisingly deep for his supposed youth.
“A little over a century. You’ve rarely managed to turn fortune’s favor when you have been so far behind.” She spoke with the first words since she’d arrived days ago. Her own voice was mellifluous, and yet subtly… flat. As if it lacked some basic quality.
“Don’t count me out yet. I’m just getting started. A world as lawless as Jakkard, I’ll have plenty to work with.” He said, and he couldn’t keep a dark knowing smile from his face. She turned to him and the movement mirrored the nature of her voice. She stared at him for several long seconds, and he shrugged under her regard, continuing to play with the wire.
“You are aware of what I have accomplished, I take it?”
“The most recent bit at least. Control of the rail lines?” His hands twisted again and the wire did something… unusual to watch. “Control of the economy essentially. It’s a strong opening gambit, but honestly, I expected more if you’ve worked that long.”
“It is hardly the only move I have made, but you miss the true significance of my achievement.” She folded her hands in her lap and turned to face the front of the room once more. “You have become caught upon the surface details and fail to understand the real reason I went to such trouble.”
“You think too much, get lost in all those plots and schemes. Not that I’m much better in that regard, but still, sometimes you miss what’s right in front of you.” He scoffed and retreated back into himself, scowling as he watched the way his foot bounced in front of him. It stopped as the impact of what she’d done really hit him and he couldn’t help but let out a small, grudging chuckle.
“Damnation, that is insidious.” He whispered, shaking his head with a whistle. “It wasn’t about the rail lines, was it?”
“They were merely a coincidental, if fortuitous, aspect of the plan. Control of Jakkard’s economy was never the end goal of this ploy.”
“The leylines.”
“Precisely. The leylines. With the acquisition of Miss DeCoeur’s ownership of the rail lines, I now control the virtual entirety of the leylines upon Jakkard. The shipping industry and economy are merely honey to sweeten the dish, but I am in sole possession of the most potent concentration of arcane power that flows on Jakkard.”
“Okay, even I’ll admit that’s clever, you sneaky bitch.” He shook his head and looked at her with something between anger and respect. “It’s going to be… far more difficult, but I have plans of my own in motion. I’ve no intention of letting you win this without bleeding a little first.” He growled, though the tone was oddly familiar considering the words.
“An entire world’s worth of mana at your dainty little fingertips.” He remarked, an eyebrow climbing as he looked at her from the side. “That’s a scary thought.” His voice was mildly mocking, but his point was true enough. “You have to at least give me some handicap here. Make it fair. Give us a hint, what do you plan to do with that much power?”
“I shall give you no such thing!” She snapped frostily, and then curiously a chilling excitement lit her eyes. She regained her composure and continued primly after a moment, “I suppose I shall divulge at least one aspect of my plans. If I’m successful, you’ll learn of it quickly enough anyways. I have grown distinctly tired of traveling to Verkell if I must depart Jakkard.”
“Ha! Hahahahehaha!” he barked, laughter echoing in the cathedral as he fell into hysterics before gasping and letting out a deep sigh. “Oh, oh hell that’s good… You’re going to shatter the crystal ceiling! If I didn’t hate you, I’d nearly have to kiss you.” He went through the motion of wiping a tear from his eye, though she was fairly certain he hadn’t wept a genuine tear in his entire blighted life. He leaned back again and started to twist the wire once more, resting his arms on his stomach as he did so.
“Just so, I am appreciative that you do hate me as much as I despise you. It spares me from that lamentable fate.” Something like a sneer marred her lip, but even such an emotional response appeared hollow on her features.
“You wound me!” he gasped mockingly, placing his hand against his brow churlishly. “Sincerely, such slings and arrows, I am undone!” He snorted again and then looked back to what he was doing, the wire pulling taut between his fingers. Silence reclaimed its reign once more and the two sat in each other’s company, not deigning to speak anymore for the moment.
“…I can’t believe they haven’t worked it out yet.” He finally said, folding the wire into a new shape.
“When would they?” she responded with an annoyed sigh, possibly one of the most human reaction she’d shown in the entire time. “They are isolated and self-sufficient. They want for nothing. Even those whose curiosity might drive them beyond the island have little context for the discovery.”
“But someone HAS to question why they never see ships or sailors.” He grimaced as his fingers fouled the next shape.
“Perhaps generations ago, but they have never known it to be normal. Our own appearance has shaken what they know.”
“Your appearance. They never saw me.” He grinned wolfishly, making her own lips compress to a moue of irritation. “You ever think about telling them?”
“Why would I do such a thing?”
“Curiosity?” He shrugged and his foppish smirk returned. “Torment?”
“Inconvenience. Our neutral ground serves our needs. Without stewards it would fall into disrepair and we would be forced to acquire a new one. I would appreciate if you did not ruin at least this.”
“Yes, because I’m so known for acceding to your wishes!” he groaned, rolling his eyes and turning his focus back to the wire in his hands. “Fine. I won’t tell them. Not that they’d believe me in the first place.”
“You’ve proven your persuasiveness at great lengths in the past.” She said dispassionately, causing him to nod just a bit smugly. Finally, she donned a thoughtful look and stared into the distance. “Do you recall why we destroyed this world? Was there any meaning behind its death?”
“Pft! Hell if I can remember. You usually keep track of that sort of thing. I’m just in it to watch it all fall down. And to piss you off.” He glanced her way for a reaction, but she sat as perfectly still as a porcelain doll. “You’re so cute when you’re angry.” He teased and the glass in the windows abruptly cracked, causing a sinister grin to form on his lips.
“I fully intend to kill you one day.” She said casually, as if commenting on nothing more noteworthy than the weather.
“You’ve said that before. You’d be bored to death within the month if you did.” He shot back and it was her turn to smile, a cold expression that grew across her face like frost upon glass. “You’d miss the competition too much.”
She sighed and nodded, face empty of emotion again though her eyes showed a glazed and manic light that hadn’t been there before. “The possibility had not entirely fled my mind. The ennui of ages is a perfidious master, though you would not yet know that, would you?”
“Egads… a barb about my age! I must have hit a nerve.” He cackled mockingly. Her mouth compressed once more into displeasure and she rose suddenly, impossibly graceful, making him grimace. She was entirely too smooth, almost mechanically precise, and it was all just subtly wrong. He hated to watch her move in the same way a consummate actor hated to watch a poor performance. It was a fact she knew all too well, which proved she was not above petty cruelties either.
“As amusing a diversion as this always proves to be, I do have matters to which I must attend.” She rearranged her dress slightly, flattening phantom creases and ensuring that it was as immaculate as she required, though very likely there wasn’t a thread where it shouldn’t be. “I must address the complications my absence might have caused while you delayed our congress.”
“No rest for the wicked, eh?” he smiled at the words, earning yet another cold and reproachful stare from her.
“Quite.” With a shudder of air and bent reality, she was gone.
He remained for some time after her departure, briefly entertaining the idea of breaking his promise and watching this world finally finish dying. Eventually he realized that she was right, and it would be more trouble than it was worth, though he despised having to admit that. He considered doing it anyways just out of spite for a few minutes more simply because he could. Shaking his head, he frowned as he twisted the wire into one last shape and stared at it thoughtfully.
“You know, she really is blind to the things right in front of her. Well… that’s why the next part is going to be so much fun.” He smiled and stared into the silhouette of an eye caught in the middle of a multi-pointed star. A tiny spark flickered into existence in the eye’s center and caught, blooming into full flame before the tongues of fire touched the wire and quickly began to devour the shape, consuming it entirely as he held it there. His hands caught as well, but he simply sat there until the fire had guttered into nothing.
Lifting a hand to his mouth, he blew the ash from his fingernails and polished them upon his coat, a predatory smile stretching his lips even as his features blurred and ran until the youth that had sat there moments before was replaced by a heavier and older gentleman. He reached into the interior of his jacket and pulled a hat from within and with a flick of his wrist, it popped open almost comically. He placed the top hat lightly upon his head and glanced around the cathedral one last time with unblinking eyes the color of jade.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
I have many, many things to say about this wonderful story, but I'm going to sit on them for just a little while, because reading this is reminding me about something else which I really need to get cracking on...
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"And remember, I'm pullin' for ya, 'cause we're all in this together." - Red Green
I have many, many things to say about this wonderful story, but I'm going to sit on them for just a little while, because reading this is reminding me about something else which I really need to get cracking on...
I hope you kept your thoughts in your journal, because I'mma want to know everything when you choose to share.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
It was very, very interesting to finally see these two together in the same place. The interaction between them just *crackles*. It's this really strange mix of Old Married Couple with Siskel & Ebert (if, you know, instead of reviewing movies, they had compared notes on smashing planes) with Mortal Enemies -- which, when I explain it like that, probably sounds really bad, but it works like nobody's business.
For example, I love the moment when The Duchess says (for the thousandth time, I'm guessing) that she is going to kill The Shifter one of these days, and he just fires back with "nah, you'd miss me to much. And she has to admit that he's right. (Not that she wouldn't kill him anyway, I think...)
Similarly, I love the idea that he thinks she ought to offer him a handicap to help even out the game. Again, it hits that bizarre relationship note, and it also drives home the fact that all this death and destruction really is just an abstract game to these people -- they're really in that Oldwalker zone. (Ditto being unable to remember the specifics of why they destroyed the plane, ditto The Shifter conceding that he's barely even keeping score at this point.) Similarly, when The Shifter has to concede that he thinks The Duchess has scored a real point on Jakkard. You see this kind of grudging respect between the two of them, but there's also just a whiff of the grudging handshake/"GG" after a game you were unhappy to lose. It's that push/pull that carries throughout the scene, and it's really effective.
And, again, I like how distinctly the two are characterized. They're both very artificial, but they are very different kinds of artificial. You have the kind of Uncanny Valley/Stepford Wife appearance of The Duchess on the one hand, versus the kind of manic performance art of The Shifter on the other. And, again, I like the little touch with how The Shifter seems to need to keep his hands moving more or less at all times -- although, the chosen subject matter for his Cats Cradle, combined with his choice of apparel at the end, makes me think that I will again be busting out my #multiversehatesberyl hashtag.
Plus, obviously, I like the little semi-referential line about "no rest for the wicked."
I do confess that I find myself very much hoping that The Duchess's plan to shatter the crystal ceiling comes to grief. One of the things I like so much about Jakkard is that the ceiling makes it harder sledding for 'walkers than on most planes. It gives the world a kind of uniqueness, makes it a place where 'walkers are a little more limited and the threats to them are a little more credible. I would be sad to lose that wrinkle.
I have a nagging feeling like I should recognize this island/cathedral? But darned if I can think of from where.
Thanks so much for posting!
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"And remember, I'm pullin' for ya, 'cause we're all in this together." - Red Green
This helps provide some of the closure I was looking for in Rest for the Wicked, I think. Nice line callback, by the way. Yeah, I really love these two together.
I... also have some reservations about the final full destruction of the ceiling though... Hm.
But uh am I detecting a hint here that perhaps the ceiling started to crack/mana started flowing back due to the Duchess's machinations? If so, well played sir. Well played.
This helps provide some of the closure I was looking for in Rest for the Wicked, I think. Nice line callback, by the way. Yeah, I really love these two together.
I... also have some reservations about the final full destruction of the ceiling though... Hm.
But uh am I detecting a hint here that perhaps the ceiling started to crack/mana started flowing back due to the Duchess's machinations? If so, well played sir. Well played.
Well, in response to both your own and Orcish's comments about the ceiling, I have two things that I can say about that. The first is the idea of impact. Sometimes worlds have to have their status quo shaken up. We're good about not destroying things every other week, but in the same way Orcish mentions the idea of walker's having a credible threat, what certain walkers do on worlds should stand as credible threats too. It similarly goes into the line Fisco and Jackie were talking about in Rest for the wicked, about how the change was coming because of the walkers. I mean, we know that the Chessmasters are sufficiently scary people without doing much, but when they are involved, you sort of have to expect greater consequences.
The lucky thing is that I think I've come up with a way to keep the ceiling intact while still doing what the Duchess wants to do. It'll still shake up the status quo, but maintain the ceiling's purpose. If you want to ask about it, toss me a PM.
Btw, the callback line was totally unintentional. I wrote this before I knew what the title was, so when I first saw it, I thought to myself 'well now I'm going to have to change that line...' but eventually decided it worked well in a metacontextual sense.
It was very, very interesting to finally see these two together in the same place. The interaction between them just *crackles*. It's this really strange mix of Old Married Couple with Siskel & Ebert (if, you know, instead of reviewing movies, they had compared notes on smashing planes) with Mortal Enemies -- which, when I explain it like that, probably sounds really bad, but it works like nobody's business.
For example, I love the moment when The Duchess says (for the thousandth time, I'm guessing) that she is going to kill The Shifter one of these days, and he just fires back with "nah, you'd miss me to much. And she has to admit that he's right. (Not that she wouldn't kill him anyway, I think...)
Similarly, I love the idea that he thinks she ought to offer him a handicap to help even out the game. Again, it hits that bizarre relationship note, and it also drives home the fact that all this death and destruction really is just an abstract game to these people -- they're really in that Oldwalker zone. (Ditto being unable to remember the specifics of why they destroyed the plane, ditto The Shifter conceding that he's barely even keeping score at this point.) Similarly, when The Shifter has to concede that he thinks The Duchess has scored a real point on Jakkard. You see this kind of grudging respect between the two of them, but there's also just a whiff of the grudging handshake/"GG" after a game you were unhappy to lose. It's that push/pull that carries throughout the scene, and it's really effective.
And, again, I like how distinctly the two are characterized. They're both very artificial, but they are very different kinds of artificial. You have the kind of Uncanny Valley/Stepford Wife appearance of The Duchess on the one hand, versus the kind of manic performance art of The Shifter on the other. And, again, I like the little touch with how The Shifter seems to need to keep his hands moving more or less at all times -- although, the chosen subject matter for his Cats Cradle, combined with his choice of apparel at the end, makes me think that I will again be busting out my #multiversehatesberyl hashtag.
Plus, obviously, I like the little semi-referential line about "no rest for the wicked."
I do confess that I find myself very much hoping that The Duchess's plan to shatter the crystal ceiling comes to grief. One of the things I like so much about Jakkard is that the ceiling makes it harder sledding for 'walkers than on most planes. It gives the world a kind of uniqueness, makes it a place where 'walkers are a little more limited and the threats to them are a little more credible. I would be sad to lose that wrinkle.
I have a nagging feeling like I should recognize this island/cathedral? But darned if I can think of from where.
Thanks so much for posting!
So yeah, pretty much all your comments strike at exactly what I was aiming to do with them, which is, suffice to say, wonderfully validating. I'm really glad that you like everything about their interaction because that is the core of what makes the piece. The same with the contrast between the two showing those kinds of extremes.
As to the cathedral, I will admit to drawing from a mental source, but it's nothing that has been used anywhere in the EM.
There is one last note that I sort of want to see about that I was hoping would be a thing.
Spoiler
Knowing what you do after having read the story, if you reread the opening portions, does it change the way you perceive the island and what all those details mean? I tried my best not to give things away, but I was hoping that metaknowledge would make alter the way that all read.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
I really enjoyed this. I was really hoping we'd get to see these two in a meeting like this at some point, for a few different reasons. Firstly, I thought it would be cool. And it was. Also, I was curious about their relationship. It could have been played a few different ways. A part of me suspected that there really was no hatred or rivalry between the two, and it was very literally a game they play.
I really love the way the Shifter comes in second, and tosses his legs up on the pew. That motion was pretty much EXACTLY what I was imagining when he first entered, so I was happy to see it. His playing with the wire was also a very nice touch, and I enjoyed it the same way as I did his playing with the phial on Aliavelli. I find I like the Shifter a lot more than the Duchess (not as characters, just as "people." As characters, I think they're both fantastic!) But Shifter amuses me on a constant basis.
As for the island, honestly, I read the first half/three-fourths of this assuming it was some unimaginably distant location on Jakkard, like, if someone could manage to get beyond the Waste, maybe there's an ocean there or something. So when the Duchess asked why they destroyed the world, I at first thought she was referring to the original creation of the planar ceiling and speaking metaphorically. But that was based off of a preconception I came to the story with, and no fault of the narrative itself.
So yeah, I really like this piece, and I look forward to the next chapter in their ongoing struggle to cause misery to each other and the Multiverse at large!
I really enjoyed this. I was really hoping we'd get to see these two in a meeting like this at some point, for a few different reasons. Firstly, I thought it would be cool. And it was. Also, I was curious about their relationship. It could have been played a few different ways. A part of me suspected that there really was no hatred or rivalry between the two, and it was very literally a game they play.
Oh they deeeeeefinitely hate each other, but they just have such a long shared history that they are well out of their honeymoon phase by this point. If that makes any sense.
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I really love the way the Shifter comes in second, and tosses his legs up on the pew. That motion was pretty much EXACTLY what I was imagining when he first entered, so I was happy to see it. His playing with the wire was also a very nice touch, and I enjoyed it the same way as I did his playing with the phial on Aliavelli. I find I like the Shifter a lot more than the Duchess (not as characters, just as "people." As characters, I think they're both fantastic!) But Shifter amuses me on a constant basis.
Yeah, he's definitely the more charismatic of the two, but there in lies the danger in dealing with him. It's his specialty to get you to like him. I really have to give credit to Orcish for the sense of motion that he's got, that was a feature that probably wouldn't have come to pass without the work he and I did during the Lies We Tell.
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So yeah, I really like this piece, and I look forward to the next chapter in their ongoing struggle to cause misery to each other and the Multiverse at large!
Pretty much the best thing I could have hoped for when I concepted these two so long ago.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
Pretty much the best thing I could have hoped for when I concepted these two so long ago.
Yeah, I suppose that's something I should comment on. I don't know how these characters came about, but whatever initial discussion existed about them was something I was not privy to. So I only ever heard about these obscure "Chessmasters" and a vague description of what they were capable of. It was sort of like a shared legend in the M:EM, at least to my point of view.
Seeing them realized like this is a really interesting experience. Characters like this are, I would imagine, really easy to mess up. But so far, at least, there has been no disappointment involved on my part. I'm really liking the way this is playing out so far, and the lingering, background threat that, for all we know, they have their fingers in yet other planes...
Have either of them ever come into contact with Ellia? I would imagine that their relationship would be a great subject for her to study, and try to deconstruct. Which would probably have terrifying consequences...
Now that this poll is officially over, it's time to congratulate Aaarrrgh for designing Hill, which has been decided by popular vote to be the Card of the Month for October 2013!
Have either of them ever come into contact with Ellia? I would imagine that their relationship would be a great subject for her to study, and try to deconstruct. Which would probably have terrifying consequences...
There... might be something very distressing there. I haven't decided one way or another as to the Duchess's origins, but it's been floated that she might be the sole survivor of an AEther Vent, which means Ellia might have been directly involved in the possible destruction of her world and might have very well shaped the Duchess into what she is.
In which case, it would be a very very bad thing for Ellia to meet her. She might be more powerful in a direct conflict, but I don't know by how much and the kind of forces that the Duchess can bring to bear are a LOT scarier than Ellia's resources.
But there again, I haven't really decided if I want to codify the Duchess's origin or not.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
I'm sure Ellia would be pleased to hear about that. After all, she is seeking to understand the nature of destruction, is she not? And to see the destruction indirectly caused by breaking a single world millennia ago would probably bring her about as close to happiness as she is capable of.
Now that this poll is officially over, it's time to congratulate Aaarrrgh for designing Hill, which has been decided by popular vote to be the Card of the Month for October 2013!
After all, she is seeking to understand the nature of destruction, is she not?
Which is, of course, why it's hilarious she's one of the only beings who could be called Zhiran's contemporary considering he's seeking to understand the nature of creation.
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And to see the destruction indirectly caused by breaking a single world millennia ago would probably bring her about as close to happiness as she is capable of.
Right before the Duchess would set her mind to the task of cutting all the bonds of enchantment that are keeping Ellia ticking.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
Someday, I would really like to see a story featuring some insane conflict between Duchess, Shifter, Vasilias, Ellia and Zhiran. Just not on Jakkard, because too many people like that world, and whatever plane this happens on is likely going to get Arbagothed.
I'm not sure how accurate this is. If a plane were to be "arbagothed", that would imply some semblance of it would be left standing, if charred, blackened, wholly destroyed, and unrecognizable.
In the event of such a battle as you described, I'm certain not even THAT much would remain.
I'm not sure how accurate this is. If a plane were to be "arbagothed", that would imply some semblance of it would be left standing, if charred, blackened, wholly destroyed, and unrecognizable.
In the event of such a battle as you described, I'm certain not even THAT much would remain.
Joined: Sep 22, 2013 Posts: 5701 Location: Inside my own head
Identity: Human
When mention of shattering the crystal ceiling came about, my immediate thought turned to Louder Than Words, actually. I know it was a minor point when that went up for vote that Lia really couldn't have just landed out in the wastes, and now I wonder if her story can't be shifted a little later on the timeline to fit after this fact.
As to the story itself... I feel like I can't really look at it in a vacuum since it's obviously setup for future plot(s) and gives the definite impression, even excluding your own admittance that this acts as a sort-of epilogue, that this is meant to follow Rest for the Wicked. Personally, I don't really enjoy the Duchess or the Shifter* as much more than devices to instigate or further the plot for characters I enjoy much more. I think their roles in Wild Card, The Lies We Tell, and Rest for the Wicked were perfect for them, to show how much they really interfere with planar happenings, but seeing them together didn't really do anything for me. I became much more interested in the physical layout of the plane they met on than anything else (though the Jakkard ceiling was a close second). I'm sorry it has to be that way, but maybe they just haven't had the time to grow on me?
I will say that the prose is brilliant, though. I know I often mention how I find your writing to be a bit too flowery, but this one was just masterfully written. Not a wasted word.
*I must ask at this point: should I capitalize both words when I refer to them, like "The Duchess and The Shifter" or just obey regular English laws concerning "the"? Basically I'm asking, is the "the" part of their name, or just a necessary English adaptation?
*I must ask at this point: should I capitalize both words when I refer to them, like "The Duchess and The Shifter" or just obey regular English laws concerning "the"? Basically I'm asking, is the "the" part of their name, or just a necessary English adaptation?
While I'll leave that official answer up to Barinellos, I just want to say that for whatever reason, I really like the idea of capitalized the "The" for these two. I think it sort of speaks volumes about them with a very simple thing like that. That's just my opinion, of course.
*I must ask at this point: should I capitalize both words when I refer to them, like "The Duchess and The Shifter" or just obey regular English laws concerning "the"? Basically I'm asking, is the "the" part of their name, or just a necessary English adaptation?
While I'll leave that official answer up to Barinellos, I just want to say that for whatever reason, I really like the idea of capitalized the "The" for these two. I think it sort of speaks volumes about them with a very simple thing like that. That's just my opinion, of course.
Yeah, I tend to think of them as The since they loom so largely in terms of their scope. It's just like you can't even just call them Shifter of Duchess, you have to specify with The.
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At twilight's end, the shadow's crossed / a new world birthed, the elder lost. Yet on the morn we wake to find / that mem'ry left so far behind. To deafened ears we ask, unseen / "Which is life and which the dream?"
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