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PostPosted: Fri Aug 08, 2014 11:51 pm 
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... Why the heck is Luna using the royal voice?

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Yet on the morn we wake to find / that mem'ry left so far behind.
To deafened ears we ask, unseen / "Which is life and which the dream?"


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PostPosted: Fri Aug 08, 2014 11:54 pm 
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Barinellos wrote:
... Why the heck is Luna using the royal voice?

I think Tevish encouraged it. Seems like fun to me!

Now we just need someone to refer to themselves in the third person for a while, and using irony as a device...

Raven will not be doing this.

:shifty:


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PostPosted: Sat Aug 09, 2014 12:15 am 
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Barinellos wrote:
... Why the heck is Luna using the royal voice?

I think Tevish encouraged it. Seems like fun to me!

Now we just need someone to refer to themselves in the third person for a while, and using irony as a device...

Raven will not be doing this.

:shifty:

http://forum.nogoblinsallowed.com/viewtopic.php?f=19&t=5207&p=179495#p179495


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PostPosted: Sat Aug 09, 2014 11:30 pm 
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Well, I just saw Ridiculously Long Movie Title 2: Twelve Monkey Flashbacks, and man... That was actually really fantastic. Koba deserves a spot in the dictionary next to Kaiser Soze for being a magnificent bastard.

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PostPosted: Sun Aug 10, 2014 1:29 am 
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Well, I just saw Ridiculously Long Movie Title 2: Twelve Monkey Flashbacks, and man... That was actually really fantastic. Koba deserves a spot in the dictionary next to Kaiser Soze for being a magnificent bastard.

Is it bad that I felt the apes turned in a much better performance than the people?
With the possible exception of Gary Oldman, but then again, it IS Gary Oldman.

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At twilight's end, the shadow's crossed / a new world birthed, the elder lost.
Yet on the morn we wake to find / that mem'ry left so far behind.
To deafened ears we ask, unseen / "Which is life and which the dream?"


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PostPosted: Sun Aug 10, 2014 8:00 pm 
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Still working on my plane, and I have a few questions. I'm not seeing a 100% perfect distribution of the plane's races. The western continent's tribes include humans, flamekin, goblins and dragons. Meanwhile the northern continent is originally home to humans, ogres, moonfolk, goblins and snakes. My eastern continent primarily features humans, kithkin, minotaurs and kathari. The southeastern continent is home to the viashino (for story purposes, the whole continent is rich in a type of metal whose magnetic fields comingle with the mana supply to throw off ships' compasses and navigators' implements). Throughout the seas live the amphin, who are enemies of the moonfolk (crude spiritualism of the amphin versus the scholarly, somewhat political nature of the moonfolk). Given the wide distribution of tribes, I'm not sure if this works best as one plane, or as several smaller, unrelated planes.

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"...the historians will write of our suffering, and they will speak of it as the suffering of those who served the Crippled God. As something … fitting. And for our seeming fanaticism they will dismiss all that we were, and think only of what we achieved. Or failed to achieve.

And in so doing, they will miss the whole **** point.”


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PostPosted: Sun Aug 10, 2014 8:26 pm 
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It depends what you want to do with it, I think. What kind of stories and themes are you trying to explore? Is there an overarching idea that all the continents touch on in some way?


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PostPosted: Mon Aug 11, 2014 1:10 am 
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Wanna see something creepy?

Go to a mirror, and grin. I mean, make the face you make where you encounter something profoundly awesome and amusing. Then, drop the smile, but keep your eyes exactly as they are.

Have fun, but remember, be careful how you use it...


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PostPosted: Mon Aug 11, 2014 9:01 am 
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Wanna see something creepy?

The day I say "no" to that question, just wrap me in my parka and put me out on my ice floe, okay?

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PostPosted: Mon Aug 11, 2014 6:47 pm 
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Barinellos wrote:
Well, I just saw Ridiculously Long Movie Title 2: Twelve Monkey Flashbacks, and man... That was actually really fantastic. Koba deserves a spot in the dictionary next to Kaiser Soze for being a magnificent bastard.

Is it bad that I felt the apes turned in a much better performance than the people?
With the possible exception of Gary Oldman, but then again, it IS Gary Oldman.

Probably not, but it's not something I can pick out yet. I can't actually see when there's a poor performance unless it's a really poor performance (I've had to watch a bit of cartoons like Little Einsteins when my siblings get a hold of the control before I do [for my nieces, of course]).

Not-quite-coincidentally, I started up Mystery Inc. yesterday because I didn't want to watch Monster of Mexico for the third time in as many days. I... actually didn't even get to finish the first episode because it took so long to find a VOD that would load and I had to stop it before the episode was over, but man did I see a metric ****-ton of self-awareness.

Back on-topic, I don't know whether the apes were fully CG or if there were instances of makeup, but besides being visually mind-blowing, the inclusion of mannerisms were fantastic, if a little exaggerated. It was obvious that studying real chimps was done for the movie, but considering the gorillas and orangs, I have to wonder whether they only studied chimps.


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PostPosted: Mon Aug 11, 2014 7:17 pm 
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It depends what you want to do with it, I think. What kind of stories and themes are you trying to explore? Is there an overarching idea that all the continents touch on in some way?


The continents of my plane are tied together by the theme of gambling against the fabric of magic manifested as roaming elementals or spirits. I was thinking of looking into non-corporeal tribes throughout all five colors--nightmares or horrors, archons or avatars, illusions, and perhaps simply elementals for red and green--and using those in place of roaming elementals. The gamblers are at war with the non-corporeals (once gamblers before the previous Entropic Genesis, a planar event in which mana spews from the planar veins, mana-burning the plane into a riot of magic). Could this be gathered into the theme of rising against and destroy the concept of fate or predetermination (since gambling is about playing the odds)?

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"...the historians will write of our suffering, and they will speak of it as the suffering of those who served the Crippled God. As something … fitting. And for our seeming fanaticism they will dismiss all that we were, and think only of what we achieved. Or failed to achieve.

And in so doing, they will miss the whole **** point.”


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PostPosted: Mon Aug 11, 2014 11:04 pm 
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I forgot to say this with my last post:

Citizens of the Expanded Multiverse: Thee have ruined a vast amount of previously titillating adult materials. We blame thee directly for this turn of events and psychological denial. Some among thee hold more responsibility over this than others, and we can only voice out frustration at the latest victim of thy follies.


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PostPosted: Mon Aug 11, 2014 11:17 pm 
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Not-quite-coincidentally, I started up Mystery Inc. yesterday because I didn't want to watch Monster of Mexico for the third time in as many days. I... actually didn't even get to finish the first episode because it took so long to find a VOD that would load and I had to stop it before the episode was over, but man did I see a metric ****-ton of self-awareness.

Speaking of Mystery Inc, who wants to watch me make Keeper cry?

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At twilight's end, the shadow's crossed / a new world birthed, the elder lost.
Yet on the morn we wake to find / that mem'ry left so far behind.
To deafened ears we ask, unseen / "Which is life and which the dream?"


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PostPosted: Mon Aug 11, 2014 11:25 pm 
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...He can do it too, that show hits me right in the feels.


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PostPosted: Tue Aug 12, 2014 11:36 am 
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God dammit I woke up to like three new settings a new character and like 20 new stories stop it STOP IT STOP IT STOP BEING SO PERFECT AND WONDERFUL AND CREATIVE ALL OF YOU IT IS OVERWHELMING


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PostPosted: Tue Aug 12, 2014 12:41 pm 
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God dammit I woke up to like three new settings a new character and like 20 new stories stop it STOP IT STOP IT STOP BEING SO PERFECT AND WONDERFUL AND CREATIVE ALL OF YOU IT IS OVERWHELMING

Is is any wonder we have written so little? Especially when you look at the last... 5 months?


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PostPosted: Tue Aug 12, 2014 12:47 pm 
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God dammit I woke up to like three new settings a new character and like 20 new stories stop it STOP IT STOP IT STOP BEING SO PERFECT AND WONDERFUL AND CREATIVE ALL OF YOU IT IS OVERWHELMING

In fairness... mine isn't new per se.

It's a weak defense though.

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At twilight's end, the shadow's crossed / a new world birthed, the elder lost.
Yet on the morn we wake to find / that mem'ry left so far behind.
To deafened ears we ask, unseen / "Which is life and which the dream?"


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PostPosted: Tue Aug 12, 2014 1:23 pm 
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The hell of it is, too, that I'm zipping off to see Guardians of the Galaxy with Sara which means that I won't have time to read ANY of this till tomorrow.

Meanwhile the fanfic pile doesn't stop from getting taller.

Stupid thesis, taking me away from what's REALLY important... :P


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PostPosted: Tue Aug 12, 2014 1:26 pm 
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The hell of it is, too, that I'm zipping off to see Guardians of the Galaxy with Sara which means that I won't have time to read ANY of this till tomorrow.
I don't think anyone here would fault you for the choice.
In fact, I'm fairly certain I would be bothered if you skipped Guardians. Enjoy! Go! You deserve some time to just decompress and enjoy yourself, and you definitely will. Guardians is such a joy.

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At twilight's end, the shadow's crossed / a new world birthed, the elder lost.
Yet on the morn we wake to find / that mem'ry left so far behind.
To deafened ears we ask, unseen / "Which is life and which the dream?"


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PostPosted: Tue Aug 12, 2014 8:45 pm 
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My thoughts after formatting Ruwin's 37-page work:

Image

(Couldn't find a video clip nor animated gif of his line from History of the World Part 1.)


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