Presenting this with only one comment: Trigger Warning for suicidal thoughts.
A Cold Shoulder
Spoiler
Fisco opened the door of his lounge casually, noting that the hearth had been lit as he had ordered. Though his mansion on Dominaria was certainly his most lavish, his quiet, extravagant holding on the outskirts of Gavony was easily his favorite. He had thought it may be the ambience, or it could be the local decor, but either way, it always helped him to relax. Having just returned from a rather lengthy “business trip”, he wanted nothing more than to smoke a cigar and sit back in a cushioned chair for a few hours. Now, having bathed, dressed, and groomed himself satisfactorily, he was going to do just that. Fisco closed the door behind him.
As he walked over to his ornate armchair, a crushing weariness assailed him. Suddenly, the oaken, papered walls of his lounge seemed cold and uninviting. The fire, ominous and angry. The soft carpet, so plush beneath his feet, now coarse. His freshly pressed bathrobe itched, and his recently washed hair felt greasy. He felt his teeth clench, and finally, after an eternity, he sagged into his armchair with a sigh that shook his body. He had not the will, need, or strength to fetch a cigar from the box that sat upon the nearby nightstand. He stared at the box for a quarter-hour before giving up on it, and turned to look into the fire instead.
Gods, he was tired.
This sudden shift in his mood did not surprise him. It did not catch him off-guard. He had almost expected it, really. He had wondered if he had finally been able to dispel it, but he knew better, at this point. There was no changing this. He glanced idly at the nightstand, pushing the cigar box off of it with one finger and allowing it to clatter to the ground. With a wave of his hand, a bowl appeared upon the nightstand. The one that was enchanted to produce replicas of his beacon coins in the basin whenever one was lit. Right now, it was empty. Fisco’s lips tightened. No deals to be struck. No business to attend to. Everything was going according to plan. He could hardly remember the last time Xeran had acted out. Things in Jakkard were running smoothly. Same with things here, on Innistrad. Kamigawa. Dominaria. No one was trying to cheat the Shark. No one was even trying to disrespect him.
He could feel the threads of his hundreds of contracts, as he closed his eyes and plucked at them. Demons. Angels. People. Everyone who owed the Shark, who were bound to serve him without notice. He could come knocking at any time, and they knew it. He knew they knew it. Spread across so many planes, so many places, and yet… He had done so much, but now, he had nothing to do. One hundred and six years he had been at this. One hundred and six years of intrigue, danger, and profit. Fisco scowled, and pushed the bowl off the table as well. It clattered to the carpeted ground with a sound that was much more satisfying than the cigar box. But not satisfying enough. Fisco rubbed his temples, glaring at the fire, uncomfortable in his own skin. He should just go to sleep.
He watched the flesh of the firewood crack and sear, losing track of time. When he looked up, another hour had passed. The bowl, having rolled half on its side, was still empty. Fisco stood suddenly, ignoring the weary ache in his bones, his foot kicking an errant cigar to one side. He hated sitting alone with himself, and could barely remember why he had decided that was a good idea. He should check up on Malzeth. Maybe Xeran. He could try Ravnica again, maybe if he approached the Boros or Azorius… His thoughts slowed, as though moving through a mire. No, there was no need for all that. There was not really a need for anything. He had everything he could want. He had enough money to buy fifty mansions like this, fifty times over, and still have more money than he could possibly spend. Wealth. Power… He had survived encounters with demons, dragons, powerful sorcerers, and other planeswalkers. He had cheated death. He had dragged himself up from nothing.
And after all that, instead of feeling alive, he was just tired. He steadied himself on the armrest of his chair. Just… so tired. What was the point? What was he even going to do next? Another bargain? Another deal? Another ridiculous scheme birthed from his inability to sit idle? He lowered himself into his chair once more. It was that, or sit here. With himself. With painful memories and regrets he could not escape. With something to prove, and no one to prove it to, even after all these years. He leaned his head against the palm of his hand, hunching over himself. Like a shark, he thought bitterly, he could never stop moving.
He mentally called for Diana.
The angel stepped into the lounge only moments later, nodding deferentially and folding her wings behind her. If she had anything to say about Fisco’s mood, she kept it to herself. Nor did she question why she had been called. Obedient. Really, the perfect servant. The stark, black armor contrasting the golden sheen of her hair and the unearthly pallor of her skin. Beautiful, if Fisco were interested in beauty. Right now, she just stood out from her surroundings, like a statue with its own ambient light. Loyal. Dutiful. He wondered what she was thinking, staring at him, staring at her. What she really thought of Fisco Vane.
Diana remained silent.
“Go get my gun.” Fisco growled. Diana nodded and left, just like that. This would be the fifth time he had asked her for it. After Jakkard, he had taken the liberty of reloading it. Six bullets this time, since it was such a useful thing and had long since outlived what it symbolised. He had not thought about that. That the gun would outlive who it was meant to kill. He had only been thinking about who the gun would avenge.
As he waited, he noticed the wards alerting him that someone had entered his Vault, that far off-plane creation of his. It was Diana, of course, but that did not stop Xeran from alerting Fisco to her presence. He was being “dutiful”, and Fisco let the passive-aggressive jab slide. He was not in the mood to deal with Xeran. They both knew Diana only ever went to the Vault on Fisco’s business anyway. He stared into the fire, trapped in his own mind, and waited for Diana to return. When she did, and the door to the lounge opened once more, she held the familiar box in her hands.
“Fisco.” She said, staring at him. “Where would you like me to set it?” Fisco’s eyes flicked around the room, then he held out his hand.
“Just give it here.” He muttered, and she did so, crossing the room in only a few steps. Fisco envied that sort of vitality, but pushed it out of his mind. He dismissed Diana mutely, and she went for the door. Though, she hesitated. Fisco watched as the angel stood in front of the door, unmoving, for a heartbeat. Maybe two. Then, she left without a word.
Fisco looked down at the box.
A lock without a key. He touched it. There it was. It had been a while since he had held the gun. Six months. It was a powerful, dangerous thing. Gaudy, too, he supposed, but just the way he liked it. He picked it up, and scowled. The weight… it left a bad taste in his mouth, and his stomach turned. He flipped open the chamber. Reminded him of business that he had long since taken care of. Reminded him of all the business he had taken care of. Scores settled. Debts collected. Every memory was like a weight. He snapped the chamber shut once more with a sigh. He pushed the box off of his lap and onto the floor, with the cigars and the bowl. Then, he leaned back in his chair and let his hand, with the gun, hang off to one side.
Sometimes, he could not believe himself. He prided himself on being a man of sound judgement, and yet, time and time again, he did the most ludicrous things. He should never have angered that dragon on on Daravon, all those years ago. Never have taken the job to steal from the Raksashas. Never should have dealt with the Faceless Cult. Never should have held on to Cosette. Never should have agreed to help Daneera. All those things had nearly gotten him killed, like he knew they would. He had known that. He had known that doing those things would be…
He glanced over at his arm, hanging out of sight over the chair. He could still feel the gun in his hand. A guilty weight. Guilt. What was that? Fisco could not remember feeling guilty a day in his life. If there was one thing Fisco Vane always had been, it was vindicated. Justified. All the lives he had taken, all the fear he had inspired, all the gold he had stolen… He knew about morality. He knew that other people clung to it, hoping some sort of honor would save them. As though being nice would stop them from being killed.
Fisco chuckled, suddenly, at a silent joke. All this gold that he had, and he still could not afford to be nice. All the risks he had taken, and being kind was still too dangerous. His laughing dissipated weakly, his lungs deflating as though his chest were being crushed. Really, he just felt the breathless exhaustion again. His mind was wandering, trying to find something to hold on to, and failing. When his mind finally found a foothold, it was an idle musing. As he lifted the gun, looked at the barrel, he wondered if he would do it this time. How fitting it would be, on Innistrad. Another geist story for the people to tell, of the mysterious old man found dead in his mysterious old home. Even in death, he would still scare the children and chill the adults. Was that his legacy, then? His purpose? “Fisco”, “The Shark”, “Mr. Vane”, “Ol’ Smokey”... His name was already a curse on more planes than he could remember, and if he just vanished, they would never know.
He would just go on being a ghost story anyway.
Unsurprisingly, he found the gun pointed at his head, his hand moving almost of its own accord. He would be remiss not to take responsibility for this, though. If nothing else would be said about Fisco Vane, he was at least a responsible man. Credit where credit was due. Many had tried to kill him. They had been yet unsuccessful, and Fisco always felt he should be in control of his own fate. Why should this be any different?
Fisco paused with his finger sliding down to the trigger. He was lying to himself. Trying to empower this action. Justify it. Go through with it. Another layer of himself, saying something he did not understand. Feeling something he did not understand. He tapped the barrel of the gun idly against his head. He wished, perhaps, the gun would go off by itself. He would spend any last moments laughing that, in the end, it had been a mixture of his tepid stupidity and chance that had done in Fisco Vane. But no. The gun was too well designed. If he wanted himself dead, he would have to pull the trigger.
Or do something equally fatal.
“You are not committed to this course of action.”
Fisco nearly pulled the trigger in surprise, but instead jerked the gun away from his head and glared at Diana. When had she entered the room? He had not heard her, or even seen her, a moment ago. He quashed a strange, welling sense of gratitude and instead snarled at the angel.
“I didn’t give you permission to come in here!” He shouted, and Diana nodded.
“You are correct.” She bowed slightly. “Forgive me for intruding.” Fisco’s jaw clenched, but the anger had already fled him, like the coward it was. “More importantly, forgive me for enabling…” She waved her hand vaguely at Fisco. “...This.”
“Get out.” Fisco muttered, turning his back on Diana.
“No.” She replied, and Fisco stiffened in surprise, though he did not turn around. He knew he was radiating his displeasure strongly enough for Diana to feel it. He knew she could see his disapproval in the set of his shoulders. He knew Diana, and she had never, ever, denied him. Not once. “Again, forgive me. I should not have left.” He heard her step forward, but made no move to acknowledge her. “It was negligent of me. But I needed to retrieve something.”
“Leave.” Fisco ordered again, and this time, Diana did not even respond to the command. Her obedience was something he had taken for granted. That she would act in such a way…
“Do you remember this?” She asked, but he could not see what she was holding. “Turn around, Fisco Vane. Look.” And now she was giving him orders? He whirled on Diana, ready to put her in her place, but froze when he saw what she was holding. A simple, leather leash. Harmless, now. Once, there had been a heavy, obsidian stone around the collar. It had been torn away long ago. “I remember,” Diana continued, “the first thing you ever said to me, when I was at my worst.” She took another step closer, implacable, hauntingly pale face stern. Almost angry. “Broken.” A step. “Beaten.” Another. “Naked.” And now she was standing over Fisco, and he was reminded how tall angels were. How much presence they had, but he could not bring himself to speak. Because he shared this memory with her, though he wished he did not. He wished… “...Save for this.” She dropped the leash on the floor.
Fisco could no longer look at the white-hot glow in her eyes, so his eyes followed the leather strap as it fell to the floor.
“You asked, of the demon who ‘owned’ me…” Her voice had become soft, but lost none of its strength. Fisco could feel the words in his bones. “How much it would cost to have me. And he told you. And you laughed.” She leaned in, radiating no heat, unbreathing. For all Fisco knew, staring at the ground, she was a marble statue. “And then you said to me, standing there, the laughter just dying off your lips… You told me…” Fisco’s hand balled into a shaking fist as the cold words brushed over his ear, and into his soul. “Oh, but you’re worth so much more than that.”
She stood over him, impossibly close and cold, for what felt like hours. The fire in the hearth danced, but its warmth was long forgotten.
“Give me the gun.” Diana murmured. Thoughtlessly, he complied. He did not see what she did with it, but moments after giving her the weapon, her arms and wings enveloped him in a stiff embrace. All at once, Diana was soft, cold, and inviting, and Fisco fell wearily into the angel.
“Live for me, Fisco Vane.” Diana whispered soothingly.
And Fisco Vane, old, tired, and regretful, wept silently into the angel’s shoulder.
_________________
Don't you have anything better to do?
Last edited by RuwinReborn on Fri May 30, 2014 12:04 am, edited 2 times in total.
Aaaaaaaaaaaaaaaaaaaaaaaaaaaah I did not expect to have this many Feelings D: Particularly about this character in this way.
This is very well done, though. Some of it was... uncomfortably familiar, to be honest. And the "can't stop swimming" bit was a real gut punch. I like, too, that we're getting this after the Daneera stories, since that was more sort of Fisco as a real hard man, so it kind of sets this up through contrast. Makes it seem more meaningful.
You're certainly making your rounds today, Keeper!
Spoiler
Yea this story was surprisingly cathartic for me. It was originally supposed to be something else that I scrapped, but the opening scene was so powerful that I decided to make something of it. Maybe the problem with the longer story I had planned was that the setup at the beginning doesn't really work for a longer story. I was thinking about this while driving, and I realized it was the perfect opportunity to really get some insight into how, exactly, Diana feels about Fisco, and what sort of relationship they have.
Fisco<>Diana OTP!!!
Jokes aside, Fisco is a character who I want people to be able to relate to. You can't relate with Ol'Smokey, or The Shark - when they story is told from the point of view of other characters, he's strict. He's cruel. He's all business. When we see things from his perspective, you can begin to appreciate how much certain things mean to him. Honoring a deal, paying a fair price, punctuality, loyalty. At any time, he can subvert these values, but only when he's being cheated or betrayed. I think Diana understands Fisco better than anyone else in the multiverse, and so when she willfully disobeys him, despite knowing how much he values her unquestioning obedience, it shows the lengths she is willing to go to ensure his well-being.
Basically, this is a long way of saying IS FISCO A VILLAIN? WELL, IS HE??? WHO KNOWS. MYSTERY.
Because if we go back through the stories, he's done a lot more good than harm, so far. He's just not very nice about it.
Thanks for reading, and I'm glad it was an emotional piece for you! (er... in the way that it got you to feel what I was trying to make you feel? O_O) It certainly was for me.
Very interesting, and very good. I like the way you chose to go with this; it was not something I had expected based on the beginning. I really like the backstory you establish here with Diana. This is a very good emotional piece, too, which I've noticed we're getting more of around here lately, which is nice. I love the visual of Fisco in his chair. If there are any artists reading this, that picture would be awesome...
Typos
Near the end of the paragraph starting "This sudden shift," you say "Same things with here" when I think it would read better as "Same with things here."
In the paragraph starting: "He watched the flesh," you say "to buy fifty mansion like this," where "mansion" should be plural.
In the paragraph beginning "The angel stepped into the lounge," you say "she just stood out of her surroundings," - This one is more of a judgment call, but I usually hear it "stood out from her surroundings," or even "stood out in her surroundings." This one probably doesn't matter it, it just struck me while I read it.
Finally, in the paragraph "As he waited, he a noticed the wards," you don't need the "a". Just "he noticed".
Overall, though, very good, and another demonstration of your mastery of Fisco's character. I will say, though, that when you said you were going to focus on writing things you find therapeutic, I didn't expect a Fisco story, let alone this one!
Overall, though, very good, and another demonstration of your mastery of Fisco's character. I will say, though, that when you said you were going to focus on writing things you find therapeutic, I didn't expect a Fisco story, let alone this one!
I'm glad you enjoyed it.
I didn't really expect to write this either. O_O My mind just got to wandering while I was in the car, and then bam, I needed to do this. Despite the sadness of the piece, it was a very calming exercise, picturing Diana comforting Fisco. Because he seems like the sort of person who would need it the least, you know?
Thanks for catching the typos (only four this time! Huzzah!) I fixed them up.
EDIT: Oh, the chair! Yea, I was towing the line between "grumpy" and "bone-crushing, depressed malaise" and wasn't sure which way to go with it, so I was afraid I didn't commit properly to a tone. Glad you liked it!
I think the fact that you didn't aggressively push bone-crushing malaise actually made it far more poignant, personally. Sometimes it's the sheer mundanity of the thing that makes it particularly bad, you know?
I think the fact that you didn't aggressively push bone-crushing malaise actually made it far more poignant, personally. Sometimes it's the sheer mundanity of the thing that makes it particularly bad, you know?
Yea, I get that. Despite the fact that I definitely made a point of Fisco just being sick to death of his cigars, I had totally forgotten that I decided he wouldn't smoke one. This makes uh... the first work ever where he's not smoking at some point?
Ruwin, I think this piece is just wonderful. As the others above me have already noted, the emotional impact is intense. It hits like an absolute ton of bricks.
To kind of explain the way this piece made me feel, I need to begin with a slightly lengthy digression, so I apologize for that in advance. Bear with me for just a second...
Probably five or six years ago at this point, I read a genuinely wonderful but absolutely gut-wrenching magazine article called "Jumpers." I wish I could remember which magazine it was in (I want to say either the New Yorker or the New York Times Magazine, but I'm not sure), and it was an example of the kind of long-form print journalism which is becoming increasingly rare these days. It was probably about a 15,000-word article, and it was about suicides.
Specifically, the news hook was that there was a debate in California about whether or not to install higher railings and suicide nets along the Golden Gate Bridge. Apparently, there is something about the iconic status of the Golden Gate which makes it a magnet for suicides. As the article's writer wryly observed, there are countless examples of people driving across the Oakland Bay Bridge before jumping off the Golden Gate, but no recorded examples of anyone doing the opposite. Anyway, suicide prevention experts were advocating installing better safeguards on the Golden Gate to try to prevent jumpers from getting over the side, whereas preservationists and tourism promoters were against installing the barriers, which they argued would spoil the bridge's aesthetics. (Probably unsurprisingly, the barriers were not installed. I suspect they never will be. Aesthetics will carry the day.)
Beyond the specific news hook, though, the writer examined the bridge and the people who jump off of it from almost every conceivable angle. He spoke to the families of people who jumped off the bridge. He spoke to psychiatrists who tried to counsel patients against jumping. He spoke to the police officers who work a special assignment, patrolling up and down the bridge on foot and watching for people who look like they're about to jump. He even spoke to people who jumped off the bridge and survived.
The article was fascinating and devastating all at once. I cried several times while I was reading it. Now, I will be the first person to admit that I am a big softie, and that I'll cry at the drop of a hat compared to your average bear. But reading this piece just really hit me at a very visceral level.
In particular, I always recall two specific anecdotes from the article.
In the first one, a psychiatrist recalled visiting the apartment of a patient of his after the man had jumped off the bridge. The man left a suicide note behind in his apartment. It read (paraphrasing from memory here): "I'm going to walk down to the bridge today, and if a single person smiles at me along the way, I'm not going to jump." But he did jump.
In the second anecdote, the writer spoke to one of the police officers on the bridge patrol with the best record of talking down jumpers. He asked the officer what he says to someone who has climbed over the railing and looks like they're about to jump. The officer said (again, paraphrasing from memory): "I ask them how they're doing, and then I ask them, have you made a plan for tomorrow? And, if they say 'no,' I say, well, let's make a plan for tomorrow, then. If it doesn't work out, you can always come back here."
Something about those two particular little glimpses into the universe of human suffering just really got to me, and really stuck in my mind. I remember reading them and feeling like I'd been punched in the gut.
Reading this story, I just couldn't help flashing back to those two particular anecdotes. Fisco's line of thought in the chair brought the man's note to mind, and Diana's intervention brought the police officer to mind.
And I am not ashamed to say that I cried while reading this piece.
In terms of the particular bits which I think work very well, Fisco's knocking the things off of his table is just a very relatable little human moment, and Diana's speech at the end is wonderfully constructed and paced. Similarly, Fisco's observation about the quality of the gun's design just seemed very organic to me.
I really just have one tiny suggestion. I might just try breaking off Diana's final line of dialog into it's own graf. Coming where it does, after a little descriptive action involving both Diana and Fisco, it took me just an extra second or two to make sure I was clear on who the speaker was, despite how obvious it seems like it ought to be, given the content. I think the sentence would stand alone as it's own graf, and it might even hit a little bit harder that way. But if you take a look and disagree, you're obviously entitled to keep it the way it is.
Again, well done and thanks for posting.
_________________
"And remember, I'm pullin' for ya, 'cause we're all in this together." - Red Green
In the first one, a psychiatrist recalled visiting the apartment of a patient of his after the man had jumped off the bridge. The man left a suicide note behind in his apartment. It read (paraphrasing from memory here): "I'm going to walk down to the bridge today, and if a single person smiles at me along the way, I'm not going to jump." But he did jump.
Wow, that is powerful. It makes me glad to know that most days, when I'm in public, I try to smile at people and nod in their direction if we make eye contact, or even occasionally say a few polite words to strangers. Knowing that it could have made a difference some day is really kind of cool.
In the first one, a psychiatrist recalled visiting the apartment of a patient of his after the man had jumped off the bridge. The man left a suicide note behind in his apartment. It read (paraphrasing from memory here): "I'm going to walk down to the bridge today, and if a single person smiles at me along the way, I'm not going to jump." But he did jump.
Wow, that is powerful. It makes me glad to know that most days, when I'm in public, I try to smile at people and nod in their direction if we make eye contact, or even occasionally say a few polite words to strangers. Knowing that it could have made a difference some day is really kind of cool.
I know, right? Occasionally that thought will flash through my mind if I'm in a bad mood for some reason, and I realize that I'm frowning at people. It reminds me to try to smile instead. I'm not under any illusion that I'm going to change a life, but I figure it can't possibly hurt.
_________________
"And remember, I'm pullin' for ya, 'cause we're all in this together." - Red Green
OH MY GOSH I THOUGHT I RESPONDED TO THESE BUT I DIDN'T. O_O
*AHEM*
OL, thank you for those anecdotes. I've never read the article in question, but I have heard one of those stories before. The smiling one, that is. I er... am a rather repressed individual, even for all the energy I put into my posts. I'm not this energetic in meatspace, I can assure you. I actually find it incredibly difficult to socialize while looking at other people, but I do try to smile, at least.
Sorry to have made you cry. And I am also proud that I made you cry? It's a weird feeling, but I'm sure you know what I mean.
I'm glad Fisco came across as human to you, because oftentimes, he does not come across as "human" to himself. It's probably pretty easy for him to get lost in his own legend. As for the gun... It was important to Fisco, and he really struggles with the fact that he still has it. Those memories aren't healthy for him, not at all. Like he was thinking - he made it for a purpose, and did not think about what he would do with it afterwards. The fact that he still has it but doesn't DO anything with it is telling of his emotional stagnation.
I have loved Diana as a character ever since she first brought Fisco his gun in Two Bullets, and this interaction between them has been a long time coming. She is going to become an increasingly more relevant character as Fisco's story unfolds further, but so will a certain white-haired demon who no doubt has it in for the Shark...
I took your suggestion and edited the original post, OL. You're right, it looks better now.
Sorry to have made you cry. And I am also proud that I made you cry? It's a weird feeling, but I'm sure you know what I mean.
Taking those points roughly in order: (1) Don't be! (2) Do be! (3) I know! (4) I do!
Quote:
I have loved Diana as a character ever since she first brought Fisco his gun in Two Bullets, and this interaction between them has been a long time coming. She is going to become an increasingly more relevant character as Fisco's story unfolds further, but so will a certain white-haired demon who no doubt has it in for the Shark...
I suspect this will not surprise you, but I am similarly a fan of Diana. She has so much presence. It's one of the reasons which I felt really happy that I had a place for her in the Aloise/Fisco/Beryl story. I coveted that presence.
Quote:
Thanks for the kind words.
Hey, everyone keeps making it really easy by doing such great work and, also, being a bunch of really swell people in the process. I just get to sit back and hand out well-deserved praise. Easy-peasy.
_________________
"And remember, I'm pullin' for ya, 'cause we're all in this together." - Red Green
So this is horrible of me, but I was listening to some 80's music earlier today and heard the song "Centerfold," by the J. Geils Band. And every time the line "My angel is the centerfold," came up, all I could think about was Fisco, dancing around in his itchy robe, holding his gun, but otherwise just like the music video to that song. I feel kinda bad about that, but not bad enough to refrain from sharing it with you.
So this is horrible of me, but I was listening to some 80's music earlier today and heard the song "Centerfold," by the J. Geils Band. And every time the line "My angel is the centerfold," came up, all I could think about was Fisco, dancing around in his itchy robe, holding his gun, but otherwise just like the music video to that song. I feel kinda bad about that, but not bad enough to refrain from sharing it with you.
Let the record indicate that "Centerfold," Freeze Frame, and the J. Geils Band are all criminally underrated today.
Although, if I had to pick a 1981 smash-hit rock album to represent Fisco, I think I'm probably tending more towards Hi Infidelity than Freeze Frame. Because Hi Infidelity is practically the Blood on the Tracks of arena rock.
Either that, or Private Eyes. You could talk me into Private Eyes.
_________________
"And remember, I'm pullin' for ya, 'cause we're all in this together." - Red Green
I have this weird relationship to Centerfold because I thought it was really catchy when I was younger, but more recently it just seemed distastefully s1ut-shamey, but I just looked up the lyrics and it seems more like it's poking fun at the male character for being hypocritical sooooo I dunno what to think now @_@
Also holy crap the music video for Hi Infidelity is ten minutes long:
I have this weird relationship to Centerfold because I thought it was really catchy when I was younger, but more recently it just seemed distastefully s1ut-shamey, but I just looked up the lyrics and it seems more like it's poking fun at the male character for being hypocritical sooooo I dunno what to think now @_@
Yeah, the joke is definitely on the POV singer in "Centerfold." Something about the way Peter Wolf sings the words "giiiiiiiiiiiirly magaziiiiiiiine" is just so emblematic of that kind of lurid, adolescent high school boy mentality that confuses immaturity for maturity.
Joined: Sep 22, 2013 Posts: 5701 Location: Inside my own head
Identity: Human
@_@ I wish I could say I will get to this soon, but... I don't think I can make "soon." I certainly want to read it, but I've got so many other things I need to read around here.
There is one very important thing you make me realize, though: we may need to start adding trigger warnings to certain works in our Archives. I'm very glad you included a warning and I think this may need to be brought up in another thread.
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot post attachments in this forum