Any other similar Name Stories could be entertaining/beneficial.
Well, I can talk through the stories for some of my character names, but I should preface this by saying that I don't really have a philosophy or method for naming. My concerns tend to be pretty mundane: I like names that are easy to pronounce. I (selfishly) like names that are easy to type, since I wind up having to type them an awful lot. I like names which are easy to remember, because they reference the character's memorable traits in some way.
Beyond all that, I'm basically just looking for a name which evokes the character for me. It's almost always bottom-up from the character, rather than top-down from the world or setting. I have to be able to imagine that, if my character was in a crowded bar, and I called out the name at the top of my lungs, that the character would turn around and look to see who was asking for them. I have to feel like the name belongs to the character, and the character belongs to the name.
Beryl got her name because, when I first pictured her in my mind's eye, the one feature I immediately saw was her one good, green eye. The rest of her appearance -- and, frankly, the rest of her personality -- kind of formed around that one green eye, and the way it seldom looks right at you, the way it peeks out at you from beneath her hair. So Beryl got her name from a mineral, which, in its green form, becomes an emerald.
Astria got her name because I wanted something which came alphabetically before Beryl (since Astria is always coming before Beryl), and I wanted something which sounded grand, and maybe just a little bit self-important. Astria has a kind of cosmic scale to it, which reflects Astria's sense of her own destiny and grandiosity.
Moira got her name because it sounded comforting and motherly when I read it aloud. It evoked the sense of her I had in my head.
Beryl's home plane of
Aliavelli (which, frankly, is one of my worst names) is a little nod to Machiavelli, since the plane draws heavily on themes from Florence around the time of the Medicis, and since politics on that plane is definitely in the Machiavellian vein. The names of the Great Houses, like
Trevanei, are just meant to have a vaguely Italianate sound to them.
Jackie DeCoeur is a case of top-down naming. Since she is the alter-ego for the Jack of Hearts, I just put a French spin on that name. Originally, she was going to be a Jacqueline, but that quickly shortened to Jackie, because (a) I kept misspelling Jacqueline and (b) she just felt much more like a Jackie than a Jacqueline anyway, once I got to know her a little bit better. I can just imagine her fixing me with a red-eyed stare and saying: "Jacqueline is a name for a hooker or an heiress, and I'm neither of those."
I wrote a whole story about how
Trotter acquired his appellation, but the name is, at the end of the day, an unapologetic pun. He's a fox who dances. He is, as Jackie once remarked, one hell of a trotter. So that's his name. Trotter's given name, Dyan, is a horrible inside joke on my part, since I first awarded it in a piece which told the story of Jackie and Dyan, two Jakkardian kids growing up in the Wasteland.
Dazie and
Presto, again, are basically little wink-wink-nudge-nudge names. Dazie entered into my mind as this massive, tough-minded, no-nonsense minotaur, and, as such, I naturally gave her a name which, on the one hand, puts me in mind of being punched in the face, but, on the other hand, also puts me in mind of the Daisy cow logo. And, since Presto was the artificer who created all variety of magical tricks and gizmos, I gave him a magician-esque name.
Shakes gets his name for a very simple reason. As he himself said: "My friends call me Shakes, on account of my shaking." Shakes's given name -- Remy -- is another horrible inside joke, since the microfic it appears in takes a page from "Driver 8" by R.E.M.
Hush-Hush also comes from a very literal place. Hush-Hush is a pair of identical twins, both hushers, who don't even acknowledge any given names they might have, since they prefer to think of themselves as a single, unified entity, rather than as two separate people. So, turn two hushers into one entity, and you get Hush-Hush. Honestly, this may be my favorite name that I've done. I can't think of the twins without thinking of their name, or vice-versa.
Sharps acquired his name because he's a rattler, and, thinking about rattlers, their fangs make me think of hypodermic needles. Since needles and the like are referred to as "sharps" in hospitals, that became my rattler's name.
Gale is another case of a character being named in-story for a very literal reason. In the culture she grew up in, children are raised communally, and only receive a personal name when they have demonstrated their readiness to go to sea. Since Gale proved her mettle by foretelling the arrival of a storm, and since she has the gift of windspeaking, she was named Gale. Again, the name is very literal, but it evokes the character for me. I feel like that's what she wants to be called.
I don't want to go into the precise, in-story explanation for how
Tryst acquired her name just yet, but I'll just say that it's in the same vein as Gale. The name has a literal meaning for the character, but also a figurative importance as well.