"You criticize me for using logical fallacies, yet you have used one of the most glaring ones of all, appeal to popularity. If many people say it, it must be true. This is not the case, especially when the music-listening populace at larg is utterly retarded. Lots of people label Skrillex as "techno"; this is not the case. He is dubstep, and people that mislabel music are uneducated douchebags."
Whether or not you think it's a fallacy depends upon whether you view a label as a descriptive tool, or an excuse to be an elitist arse. If you think that a label is something that allows you to exclude people from your metallers' club because 'What they listen to isn't REAL metal, myeh myeh myehhhh!', or an excuse to call people 'uneducated retards' because 'they think that Skrillex is techno, when it's really dubstep, myeh myeh myehhhh!', then I suppose you would think it's a fallacy. If you think a label is a device by which a level of understanding may be attained of what a song or band sound like by somebody who hasn't listened to it/them, then I'm afraid that the popular conception of what the label means is what defines it - this is the only way that the label can be of use.
Tell me, have you ever considered J.S. Bach to have been a composer of classical music? I ask because the classical label originated as a description of a style of western art music produced by composers such as Mozart and Haydn, that was prevalent in the eighteenth century. The popular meaning of the label has changed since then, however, and it now covers all western art music down through the ages, including styles that are completely opposite to many aspects of the music that it was originally intended to identify. If I wanted to be an elitist arse, I could go around stamping my little feet, and complaining that Bach isn't classical, it's baroque, but that would be pretty pointless and pathetic behaviour. Is it wrong to describe the total serialism of Boulez as classical music? It opposes everything that the label originally defined, but if I describe it as classical then it increases people's understanding of what the music is like, and that's the whole point of a label.
You keep going on about Christian black metal. How about this: Christianity means something different to everyone - it is subjective. Here's what I believe to be a plausible scenario: a band with a whacked, fundamentalist Christian ideology and a black metal compositional style write a song about cleansing the world of homosexuality via the mass slaughter of gay people. They, and their fundamentalist Christian fans consider this to be Christian metal. A bunch of other, not so whacked, Christians hear the song and say "This is not what Christianity is about. Christianity is about loving thy neighbour, and murder is a sin. This song is completely opposed to Christian values. I think the themes in this song are evil, therefore Satanic, therefore I legitimately consider it to be black metal." Even the Christian Church comes out and says likewise. Is the song a Christian metal song, or a black metal song? Does the fact that the band consider it Christian metal make it so? Does the fact that the Church considers it Satanic, and therefore a black metal song make it so? Or is it both Christian metal and black metal because some people label it one thing, whilst some label it the other?
"I have posted quotes and proof but every single time you have a bull**** excuse that allows you to ignore it.... Actually READ what I am writing; the spirit of what I am writing; rather than simply saying "no you're wrong man" as a copout."
I assure you that I have read everything you have written. Frankly I recall maybe one quote, and absolutely nothing that can be considered to be proof. What you are facing here is not bull**** excuses, but legitimate arguments. As for saying "no, you're wrong, man", nobody has done that here except for you. I refer you to the actual first thing you wrote in the very post in which you made that accusation.